Featured Video: Abraham & Isaac

November 9, 2012

Breaking News:  The copyright claim on my video (via YouTube) has been lifted as a result of my protest.  You can view it with full audio.

At last, the long awaited world premier of my retelling of this biblical cult favorite! You can watch it on YouTube, and sing along at the end with Bob Dylan.

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At 30,000 feet, again…

July 23, 2012

Last year, I posted about my trip to a work-related conference in San Diego, and my view of the Mississippi River system flooding I saw from the plane:  Well, I’m back.  I flew over the same terrain, and the damage of the flooding was apparent from the air.  You can see how the neat patchwork pattern of the agricultural areas has been smudged with the debris and sediment from last years flood.

Other themes of that post are recurring:  animation for one.  Then I was reading about Muybridge, friend of Leland Stanford, who did the first time-series images of a running horse.  I took a class on programming for Flex – fascinating, eh? – and sat next to a woman who works at Stanford.  Wow!  And at the museum of art, I bought a kit to make a zoetrope.  I just can’t escape myself.  The content for the toy was printed in the Sunday supplements of newspapers in the 1890s.

In my class, as I fiddle with code and talk of servers, map-services, instantiating queries, and so on, I think of the vast industry that has grown up to move large amounts of data, including the cartographic data with which I am concerned, over the Internet to consumers.  Yes, we are ‘consumers’ of map-services.  It’s as good a term as any, but does anyone wonder about how we all got to be consumers…of everything?  I get distracted by the sociology of the IT industry, and lose my place in the flow of the programming…

I took some time off to visit Balboa Park’s museums.  San Diego has something to offer other than sunshine and conventions, but it’s certainly not good coffee!  Next to the San Diego Museum of Art, where I saw a nice exhibit on German Expressionism, I visited the Timkin Museum, for free!  It’s a small collection, but there are a couple of knockout pieces of Sienese art of which I was unaware.  I particularly like the representation of the Trinity in the center of the second piece below, by Niccolo di Tomme. (Click to enlarge the images.)

Then there was this wonderful portrait by an artist I’d never see, clearly influenced by Leonardo, and newly discovered portrait by van Dyck.  The fabric and the hand seem pure Anthony van.

While shopping the museum store, I came upon a book about Yinka Shonibare, MBE, another new one for me.  He was born in London, raised in Nigeria, and now is back in the UK, producing installations, ‘paintings’, and sculpture that are filled with sly and not-so-subtle, but very exuberant, send-ups and skewerings of European culture, colonial and otherwise.  Turns out, his stuff is on exhibit there, so now I have to get back before I return to NJ.


R.I.P. Mr. Gumby

January 10, 2010

Obit from the Toronto Star


Space and time…

January 4, 2009

spiegelman-021

…or is it time and space?

I was struck by a phrase in this book of comics by Art Spiegelman, of Maus fame, that comics are time turned into space. Each panel in a strip represents a different moment in time, and they are spread out in space, on the page.  A really interesting idea.

What of film?  Time shown in the illusory space of a screen?

eat_the_bookThis brings me back to this image from an earlier post of mine about the tapistries in the Chateau d’Angers.  Here we see Saint John eating the book given him by the angel Gabriel.  But what is going on?  There are two books!  In fact, it is one book, one and the same.

In medieval art, it is common to see separate moments in time shown in the same space.  They didn’t have comics!  This, despite the beauty and sophistication of  their visual popular culture – think of all those Bible stories in stained glass!  The angel is shown handing him the book which he exhorts him to eat, and with the other hand, at a later moment, John is nibbling away at it.  Almost as if it were a modern multiple exposure photograph.  Or a flip-book that has been somehow frozen in time.