NYC Subway Time

With all the talk in the City about the poor and overcrowded state of the subways, I thought it would be a nice time to revisit this video of mine – 40 years old! – made as an homage to the trains.  It is followed by a clip paying homage to 2001 which uses some of the same visual themes.

I made the piece during a summer class in video at NYU.  The camera was about the size of a very large dictionary, and the the recording mechanism was slung over your shoulder and weighed a ton!  I converted the video from 3/4″ tape to DVD several years ago at a video restoration lab in San Francisco.

The late sequence of the train moving through the tunnel as the Saint-Saëns music builds to a climax links the piece to the following bit inspired by 2001 and my night driving on the NJ turnpike.  I have always been a time-space traveler! 🙂

These videos, and others I have made, are available on my MUNDO VIDEO!! page at this blog.

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“Link”

In the Flatiron Plaza, by Jorge Palacios.  Bigger image here.

The Noguchi Museum in Queens is featuring Palacios’ work right now.  The “Red Cube,” one of Noguchi’s most famous public sculptures is not, of course, a cube.

Jorge Palacios

We take a break now from our finger gazing to talk about Jorge Palacios, a sculptor in wood who is now being shown at the Noguchi Museum, a favorite spot of mine.  I read about his big piece, Link, in the Flatiron Plaza, and went to see it.

When I got there on a beautiful day like the one in the images above, there was a man scrubbing the piece clean.

I talked to him a bit in halting English and my halting Spanish.  He remarked that the piece gets lots of scuff marks from people’s shoes!  I asked him if it is hollow, it is, and if I could bang on it, I did.  When I got home, I did some reading about the artist and the exhibit at the Noguchi and it seemed to me that the guy looked a little like the  artist, didn’t he?  He was a lot more friendly than his picture makes him seem!

Yesterday, I went to the Noguchi to see the exhibit of his work, including this one:

Wandering about the exhibit, examining the installations and putting in more lights, was the same “workman” I’d seen cleaning the piece in Manhattan.  It dawned on me that this unassuming man was the artist, and I had a pleasant chat with him – I reminded him of our previous encounter.  An amusing bit of serendipity, and I had him sign a copy of a monograph that I bought in the museum shop.  🙂

When I was leaving the museum, I chatted with the admissions person about my encounters, and he chuckled:  “Yes, he’s a very hands-on type of guy.”

Lightning Strikes Twice!

This painting is on display in the Metropolitan Museum of Art as part of the “Painted in Mexico” exhibition that originated in Los Angeles.  Jesus displays his “carnal” heart – a very popular object of veneration at this time – while a personification of the Church uses the Eucharist to send a beam of light to illuminate a bible.  I like how the beam is not reflected from the pages, but is instead transformed into jagged lightning bolts that strike dead the enemies of the church (and the Jesuits, who supported the cult of the sacred heart against its opposition.)

The image of Jesus is a direct adaptation of this earlier, less complex picture.

The sacred heart, representations of which originated in the middle ages, was at first shown iconographically, i.e. as a stylized heart shape, but eventually become anatomically correct.  Not quite clear on whether this is a bleeding heart…

Up on the roof, there is a different, more ironic sort of veneration going on.

 

Future Present

Both of these images are from NYNJ Port Authority bus stations: the first one outside the main terminal at 42nd Street; and the other at 178th Street. The latter building has a roof platform by the innovative master of reinforced concrete, Pier Luigi Nervi. I think the towers and the terminal look like something from the notebooks of the futurist Antonio Saint’Elia. For some pinhole images of Port Authority “monuments,” including the Calatrava extravaganza, visit this post.

Roosevelt Island Jaunt

I took the aerial tram to Roosevelt Island today, the first time I’ve ridden on that thing, and a bad day to do it.  Saturday, good weather, crowds, one car out of service, subway not running…  Once you get there, the views from the island are pretty unusual for New York  City.

The romantic one below is looking east to the new apartments in the Long Island City area of Queens.

Strolling around the island is pleasant once you leave behind the apartments and the new Cornell University hi-tech campus.  The old Renwick shell of a small pox hospital is carefully preserved.

Something went wrong with my HDR shot here – it would help to use a tripod – so I call it “Good Vibrations.”

The southern end of the island is now the finally completed Louis Kahn park dedicated to FDR’s Four Freedoms.  It is shockingly abstract in form – a real jolt to the senses.  That’s saying a lot since it is just a baseball hit away from the dense Manhattan skyline, which isn’t exactly an English garden landscape.  It’s the austerity of the design, I suppose…

 

Not sure what he was doing there, but he had a retinue of photo-tech people, so I guess he wasn’t fighting super criminals.

Concrete and Reliquaries

I have been reading this book because I am fascinated by medieval art, and I see a lot of reliquaries.  The book is sort of rambling, and it jumps around thematically, but it has focused my attention on these objects lately, so I took another trip to The Cloisters to see a few.  I drove in, and decided to park and walk around Washington Heights with my camera a bit before going to the museum.

First off, again, the Port Authority Bus Terminal with that fantastic reinforced concrete roof by Pier Luigi Nervi.  I was struck by this view from my car, and walked back to capture it.  It conveys, for me, the creepily attractive monumental and oppressive nature of some modernist architecture.  The tower in the background, one of four known to traffic alert listeners simply as “The Towers,” gives the view a Futurist look.

Once in the museum, I went to see the three little ladies, reliquaries purportedly containing the skulls of martyred women, three of the 11,000 killed with Saint Ursula.

Perhaps a bit of a stretch, but it made me think of this final scene from Mystery of the Organism.