On my Lower Manhattan jaunt I took two pinhole cameras: a coffee can model; and a rectangular box type. My photo journey began uptown, of course, at the 178th Street Port Authority Bus Terminal. The building’s roof was designed by Nervi was designed in the early 1960s, and I just love the trapezoidal-shaped columns resting on a massive steel rocker. This was shot with a rectangular box pinhole.
As usual with my interior pinhole shots, I had trouble getting the exposure right. Actually, getting the exposure right is always a problem, but it’s harder indoors. Considering the overcast skies, this one came out pretty well, but I have been finding that my low-light outdoor shots are often over exposed because I have been relying on an iPad light meter app. According to the reciprocity law rigmarole, long exposures calculated “by hand” are too low and need to be increased. I don’t know what the “rule” is for light meters that include very large f-stops, or maybe there isn’t one. I should probably rely on rule of thumb and experience and dump the meter!
This coffee can shot of the plaza outside of the $4 billion luxury shopping mall otherwise known at The Oculus or Transit Hub by Calatrava shows the exposure problems. It is also a roughed up image, showing the effects of my clumsy field handling of the cameras in my darkroom bag. Haven’t gotten the hang of it yet.
This interior shot of the structure was also taken with a coffee can pinhole, and it turned out pretty well. The building is more impressive in this image that it is in fact, but I could go on about this for a long time…
I found relief from the contemplation of the Port Authority’s pharaonic waste at The Rubin Museum on 17th Street which contains fantastic collections of Tibetan art.
After my visit, on my way to the subway to get back to Nervi’s place, I captured this little scene, so typical of Manhattan, with my coffee can pinhole.